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Though it's been a long ride, with ups and downs, "The Queen of the Night" was back on the big screen.
Whitney Houston is starring alongside Jordin Sparks and Mike Epps in "Sparkle," the remake of the 70s music-themed drama.
Originally, "Sparkle" was based on the story of The Supremes, which tells the story of three sisters' rise to the top from their humble beginnings at a Harlem church choir.
"American Idol" winner, Sparks, plays the lead in the film, with Houston as her discouraging mother. This is the first feature film that Houston has starred in since 1996's "The Preacher's Wife."
Here she sits down with ET to talk about her role, her reentry to film and her relationship with Sparks. Good to have you back, Whitney!
Critics believe Whitney Houston was back to movies because she didn't do so well last time with the music. Still, they don’t think she put down the movie for a decade because Aaliyah passed away, they believe Whitney had issues she had to sort out before she was all up on the red carpet. At any rate, they also believed she would produce a great soundtrack for the up and coming movie sparkle.
Production on the remake of Sparkle (1979) is in full effect. The photo on the left shows Whitney Houston and Mike Epps in costume for the film. The cast and crew have been singing Houston’s praises on Twitter. The general consensus has been that Houston was back in full form and will blow viewers away. Houston, Jordin Sparks, Mike Epps and the rest of the cast was currently filming the movie in Detroit, Michigan.
Recorded on or around Nov. 7 2011
With the film being hailed as Whitney’s “comeback” to the big screen (her first starring role in over a decade), fans and critics alike was anxious to find out if she could deliver. Certainly no stranger to criticisms, the last two years of her return to the spotlight have been greeted with mixed reviews – most of which have been lukewarm. And, with Jordin being cast to play a part originally promised to late R&B starlet Aaliyah, she too has been
met with naysayers and will have quite the burden to prove herself.
Here’s hoping this film, as well as Houston’s next reported cinematic venture “Getting To Happy” (‘Waiting To Exhale’ pt 2), Would have helped the iconic songstress reaffirm her oft-praised position.
See related story: Whitney Houston's Life
Though it's been a long ride, with ups and downs, "The Queen of the Night" was back on the big screen.
Whitney Houston is starring alongside Jordin Sparks and Mike Epps in "Sparkle," the remake of the 70s music-themed drama.
Originally, "Sparkle" was based on the story of The Supremes, which tells the story of three sisters' rise to the top from their humble beginnings at a Harlem church choir.
"American Idol" winner, Sparks, plays the lead in the film, with Houston as her discouraging mother. This is the first feature film that Houston has starred in since 1996's "The Preacher's Wife."
Here she sits down with ET to talk about her role, her reentry to film and her relationship with Sparks. Good to have you back, Whitney!
Production on the remake of Sparkle (1979) is in full effect. The photo on the left shows Whitney Houston and Mike Epps in costume for the film. The cast and crew have been singing Houston’s praises on Twitter. The general consensus has been that Houston was back in full form and will blow viewers away. Houston, Jordin Sparks, Mike Epps and the rest of the cast was currently filming the movie in Detroit, Michigan.
Recorded on or around Nov. 7 2011
With the film being hailed as Whitney’s “comeback” to the big screen (her first starring role in over a decade), fans and critics alike was anxious to find out if she could deliver. Certainly no stranger to criticisms, the last two years of her return to the spotlight have been greeted with mixed reviews – most of which have been lukewarm. And, with Jordin being cast to play a part originally promised to late R&B starlet Aaliyah, she too has been
met with naysayers and will have quite the burden to prove herself.
See related story: Whitney Houston's Life
A Whitney Houston flash back:
At the 30th Grammy Awards in 1988, Houston was nominated for three awards, including Album of the Year, winning her second Grammy for Best Female Pop Vocal Performance for "I Wanna Dance With Somebody (Who Loves Me)." Houston also won two American Music Awards in 1988 and 1989, respectively, and a Soul Train Music Award. Following the release of the album, Houston embarked on the Moment of Truth World Tour, which was one of the ten highest grossing concert tours of 1987. The success of the tours during 1986–87 and her two studio albums ranked Houston No. 8 for the highest earning entertainers list according to Forbes magazine. She was the highest earning African-American woman overall and the third highest entertainer after Bill Cosby and Eddie Murphy.
Houston was a supporter of Nelson Mandela and the anti-apartheid movement. During her modeling days, the singer refused to work with any agencies who did business with the then-apartheid South Africa. On June 11, 1988, during the European leg of her tour, Houston joined other musicians to perform a set at Wembley Stadium in London to celebrate a then-imprisoned Nelson Mandela's 70th birthday. Over 72,000 people attended Wembley Stadium, and over a billion people tuned in worldwide as the rock concert raised over $1 million for charities while bringing awareness to apartheid. Houston then flew back to the US for a concert at Madison Square Garden in New York City in August. The show was a benefit concert that raised a quarter of a million dollars for the United Negro College Fund. In the same year, she recorded a song for NBC's coverage of the 1988 Summer Olympics, "One Moment in Time", which became a Top 5 hit in the US, while reaching number one in the UK and Germany. With her world tour continuing overseas, Houston was still one of the top 20 highest earning entertainers for 1987–88 according to Forbes magazine.
In 1989, Houston formed The Whitney Houston Foundation For Children, a non-profit organization that has raised funds for the needs of children around the world. The organization cares for homelessness, children with cancer or AIDS, and other issues of self-empowerment. With the success of her first two albums, Houston was undoubtedly an international crossover superstar, the most prominent since Michael Jackson, appealing to all demographics. However, some black critics believed she was "selling out." They felt her singing on record lacked the soul that was present during her live concerts. At the 1989 Soul Train Music Awards, when Houston's name was called out for a nomination, a few in the audience jeered. Houston defended herself against the criticism, stating, "If you're gonna have a long career, there's a certain way to do it, and I did it that way. I'm not ashamed of it." Houston took a more urban direction with her third studio album, I'm Your Baby Tonight, released in November 1990. She produced and chose producers for this album and as a result, it featured production and collaborations with L.A. Reid andBabyface, Luther Vandross, and Stevie Wonder. The album showed Houston's versatility on a new batch of tough rhythmic grooves, soulful ballads and up-tempo dance tracks. Reviews were mixed. Rolling Stone felt it was her "best and most integrated album". while Entertainment Weekly, at the time thought Houston's shift towards an urban direction was "superficial". The album contained several hits: the first two singles, "I'm Your Baby Tonight" and "All the Man That I Need" peaked at number one on the BillboardHot 100 chart; "Miracle" peaked at number nine; "My Name Is Not Susan" peaked in the top twenty; "I Belong to You" reached the top ten of the US R&B chart and garnered Houston a Grammy nomination; and the sixth single, the Stevie Wonder duet "We Didn't Know", reached the R&B top twenty. The album peaked at number three on the Billboard 200 and went on to be certified 4× platinum in the US while selling twelve million total worldwide.
With America entangled in the Persian Gulf War, Houston performed "The Star Spangled Banner" at Super Bowl XXV on January 27, 1991. Due to overwhelming response to her rendition, it was released as a commercial single and video of her performance, and reached the Top 20 on the US Hot 100, making her the only act to turn the national anthem into a pop hit of that magnitude (Jose Feliciano's version reached No. 50 in November 1968). Houston donated all her share of the proceeds to the American Red Cross Gulf Crisis Fund. As a result, the singer was named to the Red Cross Board of Governors. Her rendition was considered the benchmark for singers and critically acclaimed. Rolling Stone commented that "her singing stirs such strong patriotism. Unforgettable," ranked No. 1 on the 25 most memorable music moments in NFL history list. VH1 listed the performance as one of the greatest moments that rocked TV. Later that year, Houston put together her Welcome Home Heroes concert with HBO for the soldiers fighting in the Persian Gulf War and their families. The free concert took place at Naval Station Norfolk in Norfolk, Virginia in front of 3,500 servicemen and women. HBO descrambled the concert so that it was free for everyone to watch. Houston's concert gave HBO its highest ratings ever. She then embarked on the I'm Your Baby Tonight World Tour.
1992–1994: Marriage to Bobby Brown and The Bodyguard
Throughout the 1980s, Houston was romantically linked to American football star Randall Cunningham and actor Eddie Murphy, whom she dated. She then met R&B singer Bobby Brown at the 1989 Soul Train Music Awards. After a three year courtship, the two were married on July 18, 1992. Nearly a year later, Houston gave birth to their daughter Bobbi Kristina Houston Brown, her first and only child, his fourth. Brown would go on to have several run-ins with the law, including some jail time.
With the commercial success of her albums, movie offers poured in, including offers to work with Robert De Niro, Quincy Jones, and Spike Lee; but Houston felt the time wasn't right. Houston’s first film role was in The Bodyguard, released in 1992 and co-starring Kevin Costner. Houston played Rachel Marron, a star who is stalked by a crazed fan and hires a bodyguard to protect her. USA Today listed it as one of the 25 most memorable movie moments of the last 25 years in 2007. The movie is also notable for not mentioning or needing to explain its interracial aspect. Houston's mainstream appeal allowed people to look at the movie color-blind. Still, controversy arose as some felt the film's advertising intentionally hid Houston's face to hide the film's interracial aspect. In an interview with Rolling Stone in 1993, the singer commented that "people know who Whitney Houston is—I'm black. You can't hide that fact." Houston received a Razzie Awardnomination for Worst Actress. The Washington Post said Houston is "doing nothing more than playing Houston, comes out largely unscathed if that is possible in so cockamamie an undertaking", and The New York Times commented she lacked passion with her co-star. Despite the film's mixed reviews, it was hugely successful at the box office, grossing more than $121 million in the U.S. and $410 million worldwide, making it one of the top 100 grossing films in film history at its time of release, though it is no longer in the top 100 due to rising current ticket prices since the time the film was released.
The film's soundtrack also enjoyed big success. Houston executive produced and contributed six songs for the motion picture's adjoining soundtrack album. Rolling Stone said it is "nothing more than pleasant, tasteful and urbane." The soundtrack's lead single was "I Will Always Love You," written and originally recorded by Dolly Parton in 1974. Houston's version of the song was acclaimed by many critics, regarding it as her "signature song" or "iconic performance." Rolling Stone and USA Today called her rendition "the tour-de-force." The single peaked at number one on the Billboard Hot 100 for a then-record-breaking 14 weeks, number one on the R&B chart for a then-record-breaking 11 weeks, and number one on the Adult Contemporary charts for five weeks, thus becoming the first single to top those three charts simultaneously for five weeks. The single was certified 4× platinum by the RIAA, making Houston the first female artist with a single to reach that level in the RIAA history and becoming the best-selling single by a female artist in the US. The song also became a global success, hitting number-one in almost all countries, and one of the best-selling singles of all time with 12 million copies sold. The soundtrack topped the Billboard 200 chart and remained there for 20 non-consecutive weeks, the longest tenure by any album on the chart in the Nielsen SoundScan era, and became one of the fastest selling albums ever. During Christmas week of 1992, the soundtrack sold over a million copies within a week, becoming the first album to achieve that feat under Nielsen SoundScan system. With the follow-up singles "I'm Every Woman", a Chaka Khan cover, and "I Have Nothing" both reaching the top five, Houston became the first female artist to ever have three singles in the Top 11 simultaneously. The album was certified 17× platinum in the US alone, with worldwide sales of 44 million, making The Bodyguard the only album by a female act on the list of the world's Top 10 best-selling albums. Houston won three Grammys for the album in 1994, including two of the Academy's highest honors, Album of the Year and Record of the Year. In addition, she won a record 8 American Music Awards at that year's ceremony including the Award of Merit, 11 Billboard Music Awards, 3Soul Train Music Awards in 1993–94 including Sammy Davis, Jr. Award as Entertainer of the Year, 5 NAACP Image Awards includingEntertainer of the Year, a record 5 World Music Awards, and a BRIT award. Following the success of the project, Houston embarked on another expansive golbal tour, The Bodyguard World Tour, in 1993–94. Her concerts, movie, and recording grosses made her the third highest earning female entertainer of 1993–94, just behind Oprah Winfrey and Barbra Streisand according to Forbesmagazine. Houston placed in the top five of Entertainment Weekly's annual "Entertainer of the Year" ranking. and was labeled byPremiere magazine as one of the 100 most powerful people in Hollywood.
In October 1994, Houston attended and performed at a state dinner in the White House honoring newly elected South African president Nelson Mandela. At the end of her world tour, Houston performed three concerts in South Africa to honor President Mandela, playing to over 200,000 people. This would make the singer the first major musician to visit the newly unified and apartheid free nation following Mandela's winning election.[116] The concert was broadcast live on HBO with funds of the concerts being donated to various charities in South Africa. The event was considered the nation's "biggest media event since the inauguration of Nelson Mandela."[117]
1995–1997: Waiting to Exhale, The Preacher's Wife and Cinderella
In 1995, Houston starred alongside Angela Bassett, Loretta Devine, and Lela Rochon in her second film Waiting to Exhale, a motion picture about four African-American women struggling with relationships. Houston plays the lead character Savannah Jackson, a TV producer in love with a married man. She chose the role because she saw the film as "a breakthrough for the image of black women because it presents them both as professionals and as caring mothers". After opening at number one and grossing $67 million in the US at the box office and $81 million worldwide, it proved that a movie primarily targeting a black audience can cross over to success, while paving the way for other all-black movies such as How Stella Got Her Groove Back and the Tyler Perry movies that have become popular in the 2000s. The film is also notable for its portrayal of black women as strong middle class citizens as opposed to stereotypes. The reviews were mainly positive for the ensemble cast. The New York Times said "Ms. Houston has shed the defensive hauteur that made her portrayal of a pop star in 'The Bodyguard' seem so distant." Houston was nominated for an NAACP Image Award for "Outstanding Actress In A Motion Picture," but lost to her co-star Bassett.
The film's accompanying soundtrack, Waiting to Exhale: Original Soundtrack Album, was produced by Houston and Babyface. Though Babyface originally wanted Houston to record the entire album, she declined. Instead, she "wanted it to be an album of women with vocal distinction", and thus gathered several African-American female artists for the soundtrack, to go along with the film's strong women message.[118] As a result, the album featured a range of contemporary R&B female recording artists along with Houston, such as Mary J Blige, Aretha Franklin, Toni Braxton, Patti Labelle, and Brandy. Houston's "Exhale (Shoop Shoop)" peaked at No. 1, and then spent a record eleven weeks at the No. 2 spot and eight weeks on top of the R&B Charts. "Count On Me", a duet with CeCe Winans, hit the US Top 10; and Houston's third contribution, "Why Does It Hurt So Bad", made the Top 30. The album debuted at No. 1, and was certified 7× Platinum in the United States, denoting shipments of seven million copies. The soundtrack received strong reviews as Entertainment Weekly said "the album goes down easy, just as you'd expect from a package framed by Whitney Houston tracks.... the soundtrack waits to exhale, hovering in sensuous suspense" and has since ranked it as one of the 100 Best Movie Soundtracks. Newsday called it "the most significant R&B record of the decade."[citation needed] Later that year, Houston's children's charity organization was awarded a VH1 Honor for all the charitable work
In 1996, Houston starred in the holiday comedy The Preacher's Wife, with Denzel Washington. She plays a gospel-singing wife of a pastor (Courtney B. Vance). Houston earned $10 million for the role, making her one of the highest paid actress in Hollywood at the time and the highest earning African American actress in Hollywood. The movie, with its all African-American cast, was a moderate success, earning approximately $50 million at the U.S. box offices. The movie gave Houston her strongest reviews so far. The San Francisco Chroniclesaid Houston "is rather angelic herself, displaying a divine talent for being virtuous and flirtatious at the same time" and that she "exudes gentle yet spirited warmth, especially when praising the Lord in her gorgeous singing voice." Houston was again nominated for anNAACP Image Award and won for Outstanding Actress In A Motion Picture.
Houston recorded and co-produced, with Mervyn Warren, the film's accompanying gospel soundtrack. The Preacher's Wife: Original Soundtrack Album included six gospel songs with Georgia Mass Choir that were recorded at the Great Star Rising Baptist Church in Atlanta. Houston also duetted with gospel legend Shirley Caesar. The album sold six million copies worldwide and scored hit singles with "I Believe in You and Me" and "Step by Step", becoming the largest selling gospel album of all time. The album received mainly positive reviews. Some critics, such as that of USA Today, noted the presence of her emotional depth, while The UK Times said "To hear Houston going at full throttle with the 35 piece Georgia Mass Choir struggling to keep up is to realise what her phenomenal voice was made for."
In 1997, Houston's production company changed its name to BrownHouse Productions and was joined by Debra Martin Chase. Their goal was "to show aspects of the lives of African-Americans that have not been brought to the screen before" while improving how African-Americans are portrayed in film and television. Their first project was a made-for-television remake of Rodgers & Hammerstein'sCinderella. In addition to co-producing, Houston starred in the movie as the Fairy Godmother along with Brandy, Jason Alexander, Whoopi Goldberg, and Bernadette Peters. Houston was initially offered the role of Cinderella in 1993, but other projects intervened. The film is notable for its multi-racial cast and nonstereotypical message. An estimated 60 million viewers tuned into the special giving ABC its highest TV ratings in 16 years. The movie received seven Emmy nominations including Outstanding Variety, Musical or Comedy, while winning Outstanding Art Direction in a Variety, Musical or Comedy Special.
Houston and Chase then obtained the rights to the story of Dorothy Dandridge. Houston was to play Dandridge, who was the first African American actress to be nominated for an Oscar. She wanted the story told with dignity and honor. However, Halle Berry also had rights to the project and she got her version going first. Later that year, Houston paid tribute to her idols such as Aretha Franklin, Diana Ross, and Dionne Warwick by performing their hits during the three-night HBO Concert Classic Whitney, live from Washington, D.C. The special raised over $300,000 for the Children's Defense Fund. Houston received The Quincy Jones Award for outstanding career achievements in the field of entertainment at the 12th Soul Train Music Awards.
1998–2000: My Love Is Your Love and Whitney: The Greatest Hits
After spending much of the early and mid 1990s working on motion pictures and their adjacent soundtrack albums, Houston's first studio album in eight years, the critically acclaimed My Love Is Your Love, was released in November 1998. Though originally slated to be a greatest hits album with a handful of new songs, recording sessions were so fruitful that a new full-length studio album was released. Recorded and mixed in only six weeks, it featured production from Rodney Jerkins, Wyclef Jean and Missy Elliott. The album debuted at number thirteen, its peak position, on the Billboard 200 chart. It had a funkier and edgier sound than past releases and saw Houston handling urban dance, hip hop, mid-tempo R&B, reggae, torch songs, and ballads all with great dexterity. From late 1998 to spring of 2000, the album spawned several hit singles: "When You Believe" (US No. 15, UK #4), a duet with Mariah Carey for 1998's The Prince of Egypt soundtrack, it also became an international hit as it peaked in the Top 10 in several countries and won an Academy Award for Best Original Song; "Heartbreak Hotel" (US No. 2, UK# 25) featured Faith Evans and Kelly Price, got a 1999 MTV VMA nomination for Best R&B Video, and number one on the US R&B chart for seven weeks; "It's Not Right But It's Okay" (US No. 4, UK #3) won Houston her sixth Grammy Award for Best Female R&B Vocal Performance; "My Love Is Your Love" (US No. 4, UK #2) with 3 million copies sold worldwide; and "I Learned from the Best" (US No. 27, UK #19). These singles became international hits as well, and all the singles, except "When You Believe," became number one hits on the Billboard Hot Dance/Club Play chart. The album sold four million copies in America, certified 4× platinum, and a total of eleven million worldwide. The album gave Houston some of her strongest reviews ever. Rolling Stone said Houston was singing "with a bite in her voice" and The Village Voice called it "Whitney's sharpest and most satisfying so far". In 1999, Houston participated in VH-1's Divas Live '99, alongside Brandy, Mary J. Blige, Tina Turner, and Cher. The same year, Houston hit the road with her 70 date My Love Is Your Love World Tour. The European leg of the tour was Europe's highest grossing arena tour of the year. In November 1999, Houston was named Top-selling R&B Female Artist of the Century with certified US sales of 51 million copies at the time and The Bodyguard Soundtrack was Top-selling Soundtrack Album of the Century by the Recording Industry Association of America (RIAA).[152] She also won The Artist of the Decade, Female award for extraordinary artistic contributions during the 1990s at the 14th Soul Train Music Awards, and an MTV Europe Music Award for Best R&B.
In May 2000, Whitney: The Greatest Hits was released worldwide. The double disc set peaked at number five in the United States, reaching number one in the United Kingdom. In addition, the album reached the Top 10 in many other countries.[159] While ballad songs were left unchanged, the album features house/club remixes of many of Houston's up-tempo hits. Included on the album were four new songs: "Could I Have This Kiss Forever" (a duet with Enrique Iglesias), "Same Script, Different Cast" (a duet with Deborah Cox), "If I Told You That" (a duet with George Michael), and "Fine," and three hits that have never actually appeared on a Houston album: "One Moment in Time," "The Star Spangled Banner," and "If You Say My Eyes Are Beautiful," a duet with Jermaine Jackson from his 1986 Precious Moments album. Along with the album, an accompanying VHS and DVD was released featuring the music videos to Houston's greatest hits, as well as several hard-to-find live performances including her 1983 debut on The Merv Griffin Show, and interviews. The greatest hits album was certified 3× platinum in the US, with worldwide sales of 10 million.
2000–2005: Just Whitney, and personal struggles
Though Houston was seen as a "good girl" with a perfect image in the '80s and early '90s, by the late '90s, her behavior changed. She was often hours late for interviews, photo shoots and rehearsals, and canceling concerts and talk-show appearances. With the missed performances and weight loss, rumors about Houston using drugs with her husband circulated. On January 11, 2000, airport security guards discovered marijuana in both Houston's and husband Bobby Brown's luggage at a Hawaii airport, but the two boarded the plane and departed before authorities could arrive. Charges were later dropped against her and Brown, but rumors of drug usage between the couple would continue to surface. Two months later, Clive Davis was inducted into the Rock & Roll Hall of Fame. Houston had been scheduled to perform at the event, but failed to show up. Shortly thereafter, Houston was scheduled to perform at the Academy Awards but was fired from the event by musical director and long time friend Burt Bacharach. Her publicist cited throat problems as the reason for the cancellation. In his book The Big Show: High Times and Dirty Dealings Backstage at the Academy Awards, author Steve Pond revealed that "Houston's voice was shaky, she seemed distracted and jittery, and her attitude was casual, almost defiant," and that while Houston was to sing "Over the Rainbow", she would start singing a different song. Houston later admitted to having been fired. Later that year, Houston's long-time executive assistant and friend, Robyn Crawford, resigned from Houston's management company.
In August 2001, Houston signed the biggest record deal in music history with Arista/BMG. She renewed her contract for $100 million to deliver six new albums, on which she would also earn royalties. She later made an appearance on Michael Jackson: 30th Anniversary Special. Her extremely thin frame further spurred rumors of drug use. Houston's publicist said, "Whitney has been under stress due to family matters, and when she is under stress she doesn't eat." The singer was scheduled for a second performance the following night but canceled. Within weeks, Houston's rendition of "The Star Spangled Banner" would be re-released after the terrorist attacks of September 11. The song peaked at No. 6 this time on the US Hot 100, topping its previous position. Houston donated her portion of the proceeds.
In 2002, Houston became involved in a legal dispute with John Houston Enterprise. Although the company was started by her father to manage her career, it was now actually run by company president Kevin Skinner. Skinner filed a breach-of-contract lawsuit and sued for $100 million (but lost), stating that Houston owed the company previously unpaid compensation for helping to negotiate her $100 million contract with Arista Records and for sorting out legal matters. Houston stated that her 81-year-old father had nothing to do with the lawsuit. Although Skinner tried to claim otherwise, John Houston never appeared in court. Houston's father later died in February 2003. The lawsuit was dismissed on April 5, 2004, and Skinner was awarded nothing.
Also in 2002, Houston did an interview with Diane Sawyer to promote her then-upcoming album. The interview was the highest-rated television interview in history. During the prime-time special, Houston spoke on topics including rumored drug use and marriage. She was asked about the ongoing drug rumors and replied, "First of all, let's get one thing straight. Crack is cheap. I make too much money to ever smoke crack. Let's get that straight. Okay? We don't do crack. We don't do that. Crack is wack." The line was from Keith Haring's mural which was painted in 1986 on the handball court at 128th Street and 2nd Avenue. Houston did, however, admit to using other substances at times.
In December 2002, Houston released her fifth studio album, Just Whitney.... The album included productions from then-husband Bobby Brown, as well as Missy Elliott and Babyface, and marked the first time Houston did not produce with Clive Davis as Davis had been released by top management at BMG. Upon its release, Just Whitney... received mixed reviews. The album debuted at number 9 on the Billboard200 chart and it had the highest first week sales of any album Houston had ever released. The four singles released from the album, didn't fare well on the Billboard Hot 100, but became Hot Dance Club Play hits. Just Whitney... was certified platinum in the United States, and sold approximately three million worldwide.
In late 2003, Houston released her first Christmas album One Wish: The Holiday Album, with a song listing of traditional holiday songs. Houston produced the album with Mervyn Warren and Gordon Chambers. A single titled "One Wish (for Christmas)" reached the Top 20 on the Adult Contemporary chart, and the album was certified gold in the US. Having always been a touring artist, Houston spent most of 2004 touring and performing in Europe, the Middle East, Asia, and Russia. In September 2004, she gave a surprise performance at the World Music Awards, in tribute to long time friend Clive Davis. After the show, Davis and Houston announced plans to go into studio to work on her new album.
In early 2004, husband Bobby Brown starred in his own reality TV program, Being Bobby Brown (on the Bravo network), which provided a view into the domestic goings-on in the Brown household. Though it was Brown's vehicle, Houston was a prominent figure throughout the show, receiving as much screen time as Brown. The series aired in 2005 and featured Houston in, what some would say, not her most flattering moments. The Hollywood Reporter said it was "undoubtedly the most disgusting and execrable series ever to ooze its way onto television." Despite the perceived train-wreck nature of the show, the series gave Bravo its highest ratings in its time slot and continued Houston's successful forays into film and television. The show was not renewed for a second season after Houston stated she would no longer appear in it, and Brown and Bravo could not come to an agreement for another season.
2006–2012: Return to music, I Look to You, tour and film comeback
After years of controversy and turmoil, Houston separated from Bobby Brown in September 2006, filing for divorce the next month. On February 1, 2007, Houston asked the court to fast track their divorce. The divorce was finalized on April 24, 2007, with Houston granted custody of the couple's daughter. Less than a month later, Brown sued Houston in Orange County, California court in an attempt to change the terms of their custody agreement. Brown also sought child and spousal support from Houston. In the lawsuit, Brown claimed that financial and emotional problems prevented him from properly responding to Houston's divorce petition.[190] Brown lost at his court hearing as the judge dismissed his appeal to overrule the custody terms, leaving Houston with full custody and Brown with no spousal support. In March 2007, Clive Davis of Arista Records announced that Houston would begin recording a new album. In October 2007, Arista released another compilation The Ultimate Collection outside the United States.
Houston released her new album, I Look to You, on August 2009. The album's first two singles are "I Look to You" and "Million Dollar Bill". The album entered the Billboard 200 at No. 1, with Houston's best opening-week sales of 305,000 copies, marking Houston's first number one album since The Bodyguard, and Houston's first studio album to reach number one since 1987's Whitney. Houston gave her first interview in seven years, appearing on Oprah Winfrey's season premiere on September 2009. The interview was billed as "the most anticipated music interview of the decade". The interview was so candid that Whitney admitted using drugs with former husband Bobby Brown, who "laced marijuana with rock cocaine". By 1996, she told Oprah, "[doing drugs] was an everyday thing... I wasn't happy by that point in time. I was losing myself." Houston has also appeared on European television programs to promote the album. She performed the song "I Look to You" on the German television show Wetten Dass. Three days later, she performed the worldwide first single from I Look To You, Million Dollar Bill, on the French television show Le Grand Journal. Houston appeared as guest mentor on The X Factor in the United Kingdom. She performed "Million Dollar Bill" on the following day's results show, completing the song even as a strap in the back of her dress popped open two minutes into the performance. She later commented that she "sang [herself] out of [her] clothes".
The performance was poorly received by the British media, and was variously described as "weird" and "ungracious", "shambolic" and a "flop". Despite this reception, "Million Dollar Bill" jumped to its peak from 14 to number 5 (her first UK top 5 for over a decade), and three weeks after release "I Look to You" went gold. Houston appeared on the Italian version of X Factor, performing the same song "Million Dollar Bill" to excellent reviews.[citation needed] She was awarded the Gold Certificate for achieving over 50,000 CD sales of "I Look To You" in Italy. In November, Houston performed "I Didn't Know My Own Strength" at the 2009 American Music Awards in Los Angeles, California. Two days later, Houston performed both songs on the Dancing With The Stars season 9 finale. As of December 2009, "I Look to You" has been certified platinum by the RIAA for sales of more than one million copies in the United States. On January 26, 2010, her debut album, was re-released in a special edition entitled Whitney Houston – The Deluxe Anniversary Edition.
Houston later embarked on a world tour, entitled the Nothing But Love Tour. It was her first world tour in over ten years and was announced as a triumphant comeback. However, some poor reviews and rescheduled concerts brought some negative media attention. Houston canceled some concerts due to illness and received widespread negative reviews from fans who were disappointed in the quality of her voice and performance. Some fans reportedly walked out of her concerts.
In January 2010, Houston was nominated for two NAACP Image Awards, one for Best Female Artist and one for Best Music Video. She won the award for Best Music Video for her single "I Look to You." On January 16, she received the BET Honors Award for Entertainer citing her lifetime achievements spanning over 25 years in the industry. The 2010 BET Honors was held at theWarner Theatre in Washington, DC and aired February 1, 2010. Jennifer Hudson and Kim Burrell performed in honor of her, garnering positive reviews. Houston also received a nomination from the Echo Awards, Germany's version of the Grammys, for Best International Artist. In April 2010, the UK newspaper The Mirror reported that Houston was thinking about recording her eighth studio album and would like to collaborate with will.i.am (of The Black Eyed Peas), her first choice for a collaboration. Houston also performed the song "I Look to You" on the 2011BET Celebration of Gospel, with gospel–jazz singer Kim Burrell, held at the Staple Center, Los Angeles. The performance aired on January 30, 2011. Early in 2011, she gave an uneven performance in tribute to cousin Dionne Warwick at music mogul Clive Davis' annual pre-Grammy gala. In May 2011, Houston enrolled in rehabilitation center again, as an out-patient, citing drug and alcohol problems. A representative for Houston said that it was a part of Houston's "longstanding recovery process."[208]
In September 2011, The Hollywood Reporter announced that Houston was to produce and star (alongside Jordin Sparks and Mike Epps) in the remake of the 1976 film Sparkle. It was also reported that Houston would play Sparks's "not-so encouraging mother". Houston was to have had executive producer credits on top of acting credits according to Debra Martin Chase, producer of Sparkle. She stated Houston deserved the title considering she had been there from the beginning in 2001 when Houston obtained Sparkle production rights. R&B singerAaliyah's death in a 2001 plane crash derailed production, which would have begun in 2002.
On October 7, 2011, RCA Music Group announced it was disbanding Arista Records along with J Records and Jive Records. With the shutdown, future material involving Houston was to have been released on the RCA Records brand.
Death
On February 11, 2012, Houston was found dead at the Beverly Hilton Hotel, in Beverly Hills, California, of causes not immediately known. Local police said there were "no obvious signs of criminal intent". Two days prior to her death, witnesses reported seeing Houston behave erratically. Beverly Hills paramedics found the singer unresponsive and performed CPR for about 20 minutes before declaring her dead.
Artistry
Voice
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One of Houston's best selling singles worldwide and recognized songs, "I Will Always Love You" reflects prominent use ofmelisma.
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Houston was a mezzo-soprano. Her vocal range extended from G belowmiddle C (G3) to high B-flat (B♭5); she could belt out to treble F (F5). She came in third on MTV's 22 Greatest Voices, and sixth on Online Magazine COVE's list of the 100 Best Pop Vocalists with a score of 48.5/50. In 2008, Rolling Stone listed Houston as the thirty-fourth of the 100 greatest singers of all time, stating "Her voice is a mammoth, coruscating cry: Few vocalists could get away with opening a song with 45 unaccompanied seconds of singing, but Houston's powerhouse version of Dolly Parton's "I Will Always Love You" is a tour de force." Describing Houston's voice, Mariah Carey states "Whitney has a really rich, strong mid-belt that very few people have. She sounds really good, really strong."While in her review of I Look to You, music critic Ann Powers of Los Angeles Times writes, "[Houston's voice] stands like monuments upon the landscape of 20th century pop, defining the architecture of their times, sheltering the dreams of millions and inspiring the climbing careers of countless imitators," adding "When she was at her best, nothing could match her huge, clean, cool mezzo-soprano."
Houston's vocal stylings have had a significant impact on the music industry. She has been called the "Queen of Pop" for her influence during the 1990s, commercially rivaling Mariah Carey and Celine Dion. Stephen Holden from The New York Times, in his review of Houston'sRadio City Music Hall concert on July 20, 1993, praised her attitude as a singer highly, writing "Whitney Houston is one of the few contemporary pop stars of whom it might be said: the voice suffices. While almost every performer whose albums sell in the millions calls upon an entertainer's bag of tricks, from telling jokes to dancing to circus pyrotechnics, Ms. Houston would rather just stand there and sing." He added the comments on her singing style: "Her [Houston's] stylistic trademarks―shivery melismas that ripple up in the middle of a song, twirling embellishments at the ends of phrases that suggest an almost breathless exhilaration―infuse her interpretations with flashes of musical and emotional lightning." Elysa Gardner of Los Angeles Times in her review for The Preacher's Wife Soundtrack praised highly for Houston's vocal ability, commenting "She is first and foremost a pop diva―at that, the best one we have. No other female pop star―not Mariah Carey, not Celine Dion, not Barbra Streisand―quite rivals Houston in her exquisite vocal fluidity and purity of tone, and her ability to infuse a lyric with mesmerizing melodrama." Houston is commonly referred to as "The Voice", in reference to her exceptional vocal talent.
Influence
During the 1980s, MTV was coming into its own and received harsh criticism for not playing enough videos by black artists. With Michael Jackson breaking down the color barrier for black male artists, Houston did the same for black female artists. She became one of the few black female artists to receive heavy rotation on the network following the success of the "How Will I Know" video. Following Houston's breakthrough, other African-American female artists, such as Janet Jackson and Anita Baker, were successful in popular music. Baker commented that "Because of what Whitney and Sade did, there was an opening for me... For radio stations, black women singers aren't taboo anymore." Allmusic also noted her contribution to success of black artists on the pop scene, commenting "Houston was able to handle big adult contemporary ballads, effervescent, stylish dance-pop, and slick urban contemporary soul with equal dexterity; the result was an across-the-board appeal that was matched by scant few artists of her era, and helped her become one of the first black artists to find success on MTV in Michael Jackson's wake."The New York Times stated that "Houston was a major catalyst for a movement within black music that recognized the continuity of soul, pop, jazz and gospel vocal traditions". Richard Corliss ofTIME magazine commented about her first success breaking various barriers as follows; "Of her first album's ten cuts, six were ballads. This chanteuse [Houston] had to fight for air play with hard rockers. The young lady had to stand uncowed in the locker room of macho rock. The soul strutter had to seduce a music audience that anointed few black artists with superstardom. [...] She was a phenomenon waiting to happen, a canny tapping of the listener's yen for a return to the musical middle. And because every new star creates her own genre, her success has helped other blacks, other women, other smooth singers find an avid reception in the pop marketplace." Mary J. Blige said that Houston's inviting her onstage duringVH1's Divas Live show in 1999 "opened doors for [her] all over the world."
According to The New York Times, Houston "revitalized the tradition of strong gospel-oriented pop-soul singing". Ann Powers of the Los Angeles Times referred to the singer as a "national treasure". She was considered by many to be a "singer's singer", who had an influence on countless other vocalists, both female and male. Similarly, Steve Huey from Allmusic wrote that the shadow of Houston's prodigious technique still looms large over nearly every pop diva and smooth urban soul singer Рmale or female Рin her wake, and spawned a legion of imitators. Rolling Stone, on her biography, stated that Houston "redefined the image of a female soul icon and inspired singers ranging from Mariah Carey to Beyonc̩." Essence ranked Houston the fifth on their list of 50 Most Influential R&B Stars of all time, calling her "the diva to end all divas."
A number of artists have acknowledged Houston as an influence, including Celine Dion,[235] Mariah Carey,[236] Toni Braxton,[237] Christina Aguilera,[238] Jessica Simpson,[239] Nelly Furtado,[240][241] Kelly Clarkson, Britney Spears,[242] Ciara,[243] P!nk,[242] Robin Thicke,[244]Jennifer Hudson, Stacie Orrico, Amerie,[245] Destiny's Child,[242][246] Regine Velasquez, Lady Gaga, and Charice. Mariah Carey, who was often compared to Houston, said, "Houston has been a big influence on me."[247] She later told USA Today that "none of us would sound the same if Aretha Franklin hadn't ever put out a record, or Whitney Houston hadn't."[248] Brandy stated "The first Whitney Houston CD was genius. That CD introduced the world to her angelic yet powerful voice. Without Whitney half of this generation of singers wouldn't be singing," picking Houston's first album as a work of inspired.[249] Oscar winner Jennifer Hudson cites Houston as her biggest musical influence. She told Newsday that she learned from Houston the "difference between being able to sing and knowing how to sing".[250] Leona Lewis, who has been called the New Whitney Houston, also cites her as an influence. Lewis stated that she idolized her as a little girl.[251][252] Kelly Rowland, in an Ebony's feature articles for celebrating black music in June 2006, recalled that "[I] wanted to be a singer after I saw Whitney Houston on TV singing 'Greatest Love of All'. I wanted to sing like Whitney Houston in that red dress." She added that "And I have never, ever forgotten that song [Greatest Love of All]. I learned it backward, forward, sideways. The video still brings chills to me. When you wish and pray for something as a kid, you never know what blessings God will give you."[253] Beyoncé Knowles told the Globe and Mail that Houston "inspired [her] to get up there and do what [she] did."[254] Alicia Keys, in an interview about her album The Element of Freedom with Billboardmagazine, also said "Whitney is an artist who inspired me from [the time I was] a little girl."[255] American recording artist Lady Gaga said that Houston had been one of her "vocal idols" for years. In an interview with IBN Live Gaga revealed that she used to listen Houston's version of The Star Spangled Banner over and over again. At the 2011 Grammys, Gaga gave a shout-out to Houston, and said that she wrote the song "Born This Way" thinking about Houston's vocals.[256]
Awards and achievements
Houston was the most awarded female artist of all time, according to Guinness World Records,[3] with 2 Emmy Awards, 6 Grammy Awards, 30 Billboard Music Awards, 22 American Music Awards, among a total of 415 career awards as of 2010. She held the all-time record for the most American Music Awards of any single artist and shared the record with Michael Jackson for the most AMAs ever won in a single year with 8 wins in 1994.[257] Houston won a record 11 Billboard Music Awards at its 4th ceremony in 1993.[258] She also had the record for the most WMAs won in a single year, winning five Awards at the 6th World Music Awards in 1994.[259] In May 2003, Houston placed at number three on VH1's list of "50 Greatest Women of the Video Era," behind Madonna and Janet Jackson.[260] She was also ranked at number 116 on their list of the "200 Greatest Pop Culture Icons of All Time."[261] In 2008, Billboard magazine released a list of the Hot 100 All-Time Top Artists to celebrate the US singles chart's fiftieth anniversary, ranking Houston at number nine.[262][263][264] Similarly, she was ranked as one of the "Top 100 Greatest Artists of All Time" by VH1 in September 2010.[265] In November 2010, Billboard released its "Top 50 R&B/Hip-Hop Artists of the Past 25 Years" list and ranked Houston at number three whom not only went on to earn eight No. 1 singles on the R&B/Hip-Hop Songs chart, but also landed five No. 1s on R&B/Hip-Hop Albums.[266]
Houston's debut is currently listed as one of the 500 Greatest Albums of All Time by Rolling Stone magazine[40] and is on Rock and Roll Hall of Fame's Definitive 200 list.[41] In 2004, Billboard picked the success of her first release on the charts as one of 110 Musical Milestones in its history.[267] Houston's entrance into the music industry is considered one of the 25 musical milestones of the last 25 years, according toUSA Today in 2007. It stated that she paved the way for Mariah Carey’s chart-topping vocal gymnastics.[42] In 1997, the Franklin School in East Orange, New Jersey was renamed to The Whitney E. Houston Academy School of Creative and Performing Arts. In 2001, Houston was the first artist ever to be given a BET Lifetime Achievement Award.[268]
Houston was also one of the world's best-selling music artists, having sold over 200 million albums and singles worldwide.[4][5] Although she released relatively few albums, she was ranked as the fourth best-selling female artist in the United States by the Recording Industry Association of America, with 55 million certified albums sold in the US alone.[202][269]
